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Bingo Fling Review – Expert Ratings and User Reviews

Bingo Fling Review – Expert Ratings and User Reviews

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Yes, it finally came on cable. And, in order to keep up my credentials as an expert on badfilm, I had to deal with this monstrosity sooner or later.

So, without further ado Who thought this was a good idea? Trying to make a quick buck off of a flavor-of-the-week TV show I can understand, but who thought this had any chance of success?

Too retarded for anyone over 14; too campy and too much like a "Gidget" remake for the set; too much skin for the "Barney the Dinosaur" crowd.

Anyway, a few random notes: I always considered this to be a light, bouncy pop song. That was, of course, until Kelly and her overproduction team sucked the life out of it.

Now as bouncy as a Complin Service, this one made me wish for a brief return of the early, punk, Go-Go's, who probably would have roughed up anyone who did one of their songs this badly.

He is so thin I might be able to tie a string to him and fly him on a high wind day! With that 'fro, he looks a little like a pipe cleaner.

Note to the Director: Sorry, young lady obviously chosen for your ability to pack a small swimsuit: Oh, the intense chemistry between Justin and Kelly Really, I am serious.

Alan Rickman and Kate Winslet, in Sense and Sensibility, were an overflowing cauldron of unrestrained sexual passion compared to these two.

If Justin was trying to dispel those "man's man" rumors, this did nothing to help. How to get the movie to go from sluggish to dead in the water: Justin and Kelly, alone, in a scene for more than five seconds.

Kelly's nice black friend is being taken to a ritzy Latin nightclub, which is located in I need to check that abandoned building on the next block; the Cotton Club might have started a branch there.

OK, Kelly, so you admire Bjork. I can see you appreciate her independence, willingness to go her own way, and most of all given your situation, her career longevity.

If you want to do a homage to Bjork, altering your bland, middle-of-the-road song delivery would be a good place to start. Your hairdo was, in fact, not a good place to start.

Hee-haw girl does a bad impersonation of Madonna's "Material Girl" video. Which means, of course, she is doing an even worse second-derivative impersonation of Marilyn Monroe.

This has no purpose other than to satisfy some requirement in her contract that she got to be the lead in one song number. Oh, no- "Glitter" flashbacks!

Justin in a game of hovercraft dodge-ball? The stunt double must be a girl to get the sizes right. Oh, look, the danger: Hee-haw evil girl is proud of notching up various studs, and now she is hitting on- Justin???

THAT was how evil hee-haw girl's plots were discovered? Did the budget get pulled, and they needed a way of wrapping up the plot faster than you could say "Deus Ex Machina?

The final massive musical number: While deeply painful on so many levels including watching nerd-boy dance , at least they mangled an already bad song, rather than torture a once respectable song.

Anyway, yes, this movie is just as bad as you have heard. There are bad movies. There are really bad movies. And then there's this one.

Morbid curiosity compelled me to seek it out, just so I could see for myself exactly how dreadful it was. I got about eight minutes into the 'film' before I suddenly developed an overwhelming urge to run around hitting things very, very hard.

Still, 'From Justin To Kelly' really is a must see flick if you have any dreams of breaking into the movies, because believe me, if utter garbage like this can be solicited, then quite literally anybody's got a shot.

StubbyGimp 15 August IMDb should consider creating a "0" rating below the current "1". The description should read "dreadful".

Truly, a complete waste of time and resources. This is the one aspect of being a father I can do without: Having to sit through an 82 minute eternity of this garbage.

The acting by these two American Idol "stars" is naturally primitive, however, one would think "one" being the producers who are responsible for the millions of dollars it takes for a major motion picture that someone would have given these kids acting lessons.

What may even be more frightening is that this picture probably made oodles of money. Sometimes it is embarrassing to be an American.

Before Kelly Clarkson actually started producing some decent pop, this was pretty much the only product of American Idol for a bit. And what an product it was.

The sheer lack of enthusiasm put forward in this movie is, to say the least, daunting. I mean, come on. It looks like cotton candy. They both go to Florida, and watch loads of "babes" and do a bunch of PG related spring break hi-jinks, of which there aren't many.

Hence why they're college hi-jinks. Anyway, after a rather dumb meet cute between Justin and Kelly, the plot, which would have difficulty filling up a 22 minute sitcom let alone this 90 minute trash fest, begins to unfold.

Basically, Kelly's blonde friend wants Justin, and he wants Kelly, so to get revenge on him, she gives him her phone number, and then makes it look like Kelly doesn't care about him.

I'm sure you can imagine the complex and thought provoking scenarios that this could spin out into, but don't hurt yourself. A quick note on the musical numbers: If you are a twelve year old girl, go rent Sleepover.

It's much better than this, and it has cute boys. If you're not a twelve year old girl which is a good thing , stay, stay away from this factory made piece of crap.

Couldn't believe my eyes at this shameful, pathetic excuse for a movie. It isn't even a movie, just an excuse for the producers to squeeze a few extra dollars out of last year's American Idol finalists.

I feel sorry for director Robert Iscove; not because I think his films are any good, but because this movie will permanently discredit him as a director.

This movie is terrible because it was made 40 years too late. The American Idol hype fueled the studios ambition to crank out a quick blah blah story about Justin and Kelly.

The end result, a soup sandwich with no audience. The fact that what works on television doesn't always work on the "big screen," is true in the case of From Justin to Kelly.

The production value is professional and many of the dance numbers took long hours and hours to practice and to get right.

The movie itself on paper was a joke to begin with. There are only a handful of lines worth hearing through this 90 minute movie.

The rest can be considered pop-culture junk or better yet, left overs that nobody wants to have for dinner.

Unlike some of the entries in the endless parade of crap reviewed on this site, you might actually have heard of "From Justin to Kelly: The Tale of Two American Idols".

This name recognition could potentially raise two problems. First is the prospect that you might already be familiar with the movie and thus take issue with something incorrect I might write.

This differs from a review of "Idiot Vampire Movie " or whatever other nonsense I write about, where only four people on the planet have seen the movie in its entirety and I could have written the entire thing using a Ouija board without anyone knowing better.

The second problem might be that you have actually seen the movie and so this review is redundant. Of course, anyone who watched this movie probably had enough pent up self loathing that they have already ridden the vein pain train in a lukewarm bathtub.

In which case, congratulations on being dead! It is obvious you didn't quite make it into Heaven, which has a standing gag order against anything related to "American Idol".

Better luck next time. What do you get when you take two flash-in-the-pan celebrities from a reality TV show and fling them in front of a camera without any lessons in screen acting, line reading, or simulating basic human emotion?

I suppose it's fitting that one of the worst shows on television today would have managed to spawn a Hollywood film that manages to raid the lint traps of sheer ineptitude so severely that it makes "Battlefield Earth" look like a sci-fi epic for the ages.

Not only could neither Justin nor Kelly act their way out of a paper bag, but they wouldn't be qualified to deliver bag lunches to the other soap actors on set.

Thankfully, one half of the dynamic duo has already returned to blissful obscurity. We can only hope this movie will soon follow. I am not sure if this movie is taking place in an alternate timeframe where Kelly was never discovered and instead was forced to perform to audiences numbering in the single digits, or if it's supposed to take place in when the same will probably be true.

I suppose I can't fault the producers of "American Idol" for wanting to make another quick buck off their inexplicably popular TV show.

Nor can I really fault two okayish singers lucky enough to land a starring role in a movie out of the blue because they weren't as horrible as everyone else.

Someone has to be responsible for this mess, though, and I guess the most obvious blame falls on the people who voted Justin and Kelly into their positions as the final two American Idols: This is all your fault, jerks.

You should be ashamed. I was forced to go see this with a friend for her birthday. I knew it would be dumb but thought that it would at least be something to laugh at.

It was one of those rare movies that is too bad even for perverse entertainment. As it began I thought well the story will be stupid but maybe it will have good songs.

The songs were the worst part! The transitions into these musical numbers were so awkward. And the songs themselves were not remotely entertaining.

Kelly comes off as likable in the movie but I grew to despise every other character in the space of 15 minutes. I don't see this becoming a cult classic.

It also made me feel relieved that I never went to Florida for Spring Break. Kelly Clarkson is a sweet girl but she should stick to singing and get a new agent.

This is a poor attempt to capitalize on the popularity of the American Idol show. Unfortunately they chose to use the people rejected from the show as cast.

Save the ticket fee this one comes out on video in July. Even though I voted a 1 out of 10, I actually would vote this movie as 1.

I decided against giving it a 2 though because my fingers simply did not allow me to do so.. I would have probably had to cut off my own fingers and dip them in vinegar for cleansing after if I dared to commit such a sin.

This, dare I say, film this could hardly be considered anything close to an movie was similar to papers that I half-assed in middle school and after reading over them, seeing ridiculous contradictions and errors blatantly present and being too damn lazy to edit it and handing it in to the teacher for a crap grade.

The script was that bad. There were no transitions between anything. The climax of the entire movie was about 5 seconds long and all the problems within the movie were resolved in a few short sentences.

Hold on a sec while I go rupture my brain with a sledge hammer. After reading many a statement online that From Justin To Kelly even surpasses the demonpsawn show that spawned it for being devoid of talent, I just had to see the horror for myself.

Sadly, obtaining the DVD outside of America is quite a feat in itself. In point of fact, the film has never seen so much as the light of day outside of the States, which is a very bad sign in itself.

Released at a time when the American Idol program had just gotten started with saturating us in its contestants' sameness, From Justin To Kelly is elegant proof that the smaller the budget, the bigger the fallout when your film fails to make it back.

Produced on a mere twelve million dollars, FJTK presented us with an endless array of stupid dance sequences, stupid songs, and an incredibly stupid plot to string it all together.

I guess they wanted to prove that William Hung was not the worst possible thing that could come out of the herd conformist display that is Idol.

In order to spare you some agony, I will now try to recount the plot. FJTK begins with Kelly performing a number in a Texan bar, to the delight of what appears to be the only audience member.

When finished, she is approached by friends to go on a trip with them to Florida for Spring break. Characterisation is not exactly a strong suit for this film.

With friends like those, who needs a personality? Anyway, things take a turn for the worst when Justin, accompanied by slightly less bland but even more daft friends, arrive at the same beach.

The first of many mass song and dance numbers ensues, and thus we get the first of many strange face-pulling contests. At one point in this beach musical number, Kelly looks as if she is going to distend her jaw and devour Justin whole.

Professional actors these ain't. Of course, even an eighty-minute film cannot keep going without some semblance of a plot, and what a doozy FJTK offers.

Much of the plot in FJTK concerns itself with the fact that Justin wants Kelly, Kelly wants Justin, and Kelly's anorexic friend wants to keep them apart for some reason.

Coming off as an extended episode of one of those family sitcoms that enjoyed a brief revival in the s, FJTK barely has enough plot to sustain twenty-three minutes.

So a lot of padding with musical numbers takes place. The thing with musical numbers in film is that there needs to be a logical progression from the dialogue into the music.

When characters burst into song at the drop of a hat, it is jarring, and generally lessens the impact. And that is probably the biggest of the problems FJTK faces.

Not only are the musical numbers insipid and bland, they also have no logical flow from the rest of the film. The plot literally comes to a standstill whilst the characters sing, dance, and pull the kind of faces people usually make in order to deliberately ruin shots.

The words "cash in" spring to mind. Fortunately, FJTK did accomplish one task. It sorted out the genuine talent from the hangers-on where American Idiot was concerned.

With the film all but buried, Kelly Clarkson put it all behind her and concentrated on a recording career. Not that I would go out of my way to listen to her recordings, but she at least seems to be branching out and exploring a wider variety of material.

Justin Guarini, on the other hand, seems to have disappeared off the face of the Earth, which is probably just as well after the demon yawn face he pulls during one classic ally bad number during FJTK.

About the only other individual to survive association with the project was Anika Noni Rose, and I think that was mainly because she hung around in the background, not really standing out in any fashion.

Brian Dietzen, however, takes out the prize for the most insipid, irritating character of the piece. Every time this man opens his mouth, I feel like I want to punch him.

Although that might inspire another pathetic song and dance number. I drag it out whenever someone tries to tell me they know what a bad film is.

I have even sat through the extended version, and listened to the audio commentary. Most people would not dare admit having seen this film to another human being, but I am different.

I am proud of the fact that I have seen the lowest that Hollywood can possibly sink, and believe me, FJTK is exactly that. Other films might come out that are worse, or more entertaining in a bad way, but FJTK is literally the lowest point.

It was conceived for no other purpose than to wring more money out of a lowest-common-denominator-rules "talent" quest, and its makers did not even deem it worthy of an effort commensurate with such an atrocious goal.

If nothing else, it serves as a great lesson in the duality of art: Easily the most insipid film you will see in your lifetime, it is even a disgrace to bad cinema.

Dragoneyed 3 April It has an incredibly low rating and is in the Bottom Still, that does not mean I wouldn't enjoy it.

I have liked a lot of "feel good, girly" films that many hate such as Gigli, Glitter and Crossroads and I always clear my mind and give any film a chance at impressing me, and sometimes people are just way too harsh on films that are merely a cute, fun time.

This film, however, is not the case. It is as bad as it's made out to be, and I'll tell you why.

The acting is stale from every cast member. No one puts on a believable or even cheesy likable performance, including the main two "stars", which you think they would be able to muster some acting talent being the finalists of American Idol's first season Whose idea was it to make a film off singers from a reality TV contest?

A bunch of party thirsty teens that do nothing more than consume space on the screen and run around insipidly throwing outdated teenage slang here and there, not putting on a show attention-grabbing enough to interest children, teenagers, or adults.

Don't even get me started on the songs and dance scenes. Oh my sweet Jesus, all every song does is occupy time, nothing more. They are all nowhere near catchy, and the choreography is some of the worst I have seen in any movie, ever.

Even the sets are dull and completely opposite of breathtaking, and the direction is honestly home-video worthy at times. So basically, there were no redeeming qualities about this film.

I am lighthearted, and like lots of movies people consider bad, and can usually laugh at films that I myself find bad.

Not one chuckle, or smile, or any emotion ran across my face while watching this movie. It really is that bland and uninspiring, I felt robbed of the runtime after watching it and felt I could have done something more useful with my time like watch leaves fall.

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